CINEMA

AYDINLAR – WHERE THE WORLD ENDS

Documentary  |  75 min   |  2019 – 2026

Author / Cinematographer / Diector / Monatge

Synopsis

A tender portrait of a dystopia whose inhabitants mourn the loss of an ocean while holding fast to their belief that it will return one day.


A man stands on a former seabed. “They say it will return …”, says an old voice. The old lady sits on the ground, her gold teeth glinting, her skin weathered by the wind: “We all swam in the sea. The water receded slowly. No one believed it would vanish completely. But the sea is gone.”

Transparent plastic fish glisten in the sun. Old fishing boats rot in the sand. Wind whistles through rusted holes. “They say it dried up twice before. If it returns a third time, we won’t let it go again..”

Children grow up in this desert without ever having seen the sea. Still, they keep on singing the old fishermen’s songs passed down from their grandparents. They play among the stranded shipwrecks, now monuments of a vanished world.

Today, the Aral Sea is almost entirely gone. The former seabed has become a salt desert, creeping further inland. The salty air causes illness and its effects reach even as far as Tashkent. Since the 1970s, birth defects and infant mortality have risen dramatically. Every twelfth child dies before their first birthday.

The disappearance of the Aral Sea is one of Central Asia’s greatest ecological disasters – and a slow-moving catastrophe that will touch as all.

funded by FFA and Goethe-Institute Tashkent


THE FISH KNOWS EVERYTHING

Documentary / ca. 90 Minuten   |  vor.  2019 – 2026

Author / Director / Cinematographer: Diana Näcke

Co-Production / Research Istanbul: Ayşe Çetinbaş, SURELAFILM

Dramaturgy: Tamara Trampe

THE FISH KNOWS EVERYTHING tells a modern fairy tale set in Istanbul.

Funded by:
Kulturakademie Tarabya (German Federal Government),
Gerd Ruge Scholarship,
“Haus am See” scholarship (Medienboard Berlin-Brandenburg, Lupa Film, Antonius Stiftung),


THE GHOSTS THAT SUMMONED ME 

Documentary   102 min  |   2014 – 2017

IN CINEMAS  09.11.2017

Author, Director  Diana Naecke

Cinematographer Diana Naecke /Kathrin Krottenthaler

Montage Andre Nier

Sound Magnus Pflüger, Robert Fuhrmann

Production: Indifilm Berlin (Sonia Otto, Arek Gielnik

SYNOPSIS

Engin, a street kid from Berlin, has a mission. For the first time, he wants to return to his Turkish home village, Yildirim — the Lightning. His parents brought him from Berlin to Turkey immediately after his birth and left him with his grandparents. He grows up believing that his grandmother and grandfather are his parents. When he is forcibly taken back, he is ten years old. He speaks no German and is firmly convinced that he has been sold to strangers in Germany. He hides for days in the vineyards before he is found. A cardboard sign is hung around his neck, bearing his name and his destination: Berlin-Neukölln. He wears no shoes on the plane.

Half a lifetime passes before Engin returns to Yildirim. But on his journey — by car, since the aeroplane has, after all, stolen his soul — new obstacles keep emerging. The journey to Turkey thus turns into a dense portrait of an almost unbridgeable inner fracture.

funded by FFA, BKM, Kuratorium Junger Deutscher Film

Festivals, Awards: MARFICI – Mar del Plata, Max Ophüls Filmpreis, Hamburger Dokumentarfilmwoche, Neisse Film Festival, Bremer Dokumentarfilmpreis, 25p*cine-Stipendium


MY FREEDOM, YOUR FREEDOM

Documentary | 84 Minuten  |   2007 – 2011

In Cinemas  05. 2013

Author, Director Diana Naecke
Cinematographer Diana Naecke, Susanne Schüle, Roger von Heereman
Montage  Inge Schneider
Production: Tagtraum Köln (Gerd Haag, Kerstin Krieg)
Broadcaster Milena Bonse (ZDF – Das Kleine Fernsehspiel)

SYNOPSIS

Kübra, Berlin’s only female high-risk repeat offender, is about to be released from the women’s prison in Berlin-Lichtenberg after a total of four years and ten months in custody.

Salema lost her parents in the Ethiopian civil war and has never truly arrived in Germany. Since the age of seventeen, she has been in and out of prison; now she is expected to find her place outside, in supported accommodation.

Matthias Blümel, director of the women’s prison, dislikes the word institution and would, if he could, shut the place down for a few days.

funded by  Filmstiftung NRW, DFFF
Festivals, Awards: Berlinale (Vorauswahl LOLA, Deutscher Filmpreis), Hot Docs, Filmfestival Montreal, Internationales Dokumentarfilmfestival Brüssel (Audience Award), Internationales Film Festival Mexico (Bronze Palm Award), Internationales Film Festival Vancouver (Bester Dokumentarfilm), Dok.fest München (Nominierung Bester Doklumentarfilm), Internationales Film Festival Addis Abeba, Internationales Dokumentarfilmfestival Istanbul, Internationales Filmfestival Gaziantep, Dokumentarfilmfestival Glasgow, Neisse Film Festival, Treatmentpreis Bayrischer Rundfunk etc.